That’s what he saw as his essential work. He wanted to bring the lives of all the great composers to the screen, like the one about Tchaikovsky with Richard Chamberlain.
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#Beverly sutphin true story serial#
He told me that he thought you would be up for Serial Mom because you really “went there” in Crimes of Passion. When John sent me the script for Serial Mom, I said, “You’ve gotta be fucking kidding me.” I made it to the scene where Beverly pulls out the guy’s liver before I told my agent “Nope! Nope! Nope!” But I also watched one with Divine called Female Trouble, which I was not wild about. Did you have any reservations about working with him at the time? That’s especially funny considering John said that you were the only actress he met with for Serial Mom who seemed to understand what he was going for. I brought a straight friend and he had no idea what half of John’s act was about either. I should’ve brought a gay friend, because I needed a translator so I could understand what John was saying. I have seen his Christmas show before, but I made a terrible mistake. I’m curious if you’ve seen any of his one-man shows before? I saw that John Waters is performing his Christmas show in New York the same week you’re at Town Hall. I begin the second act with “Brother Can You Spare A Dime?,” so that should give you an idea of what to expect. My music director, Andy Gale, who has an encyclopedic knowledge of music, would often say, “That story makes me think of this song!” And so on. I tell many stories from my life and career and the songs are like close-ups of them. What can you tell me about the material in its current iteration?Įverything in the show is drawn from my life experiences. I had to get out of the city so I rented a little house in Provincetown where I could be outside. But I started to go slightly insane around August. I also have some really nice neighbors who would always text and ask me if I needed anything, so I had more resources than myself. My daughter lives in Harlem so I’m lucky. All of my friends have partners and immediately left town for their summer homes. I’m immunocompromised and I live alone except for my extraordinary cat, Simon. Were you in Manhattan for the most of the pandemic? I don’t wanna spend two hours in a car every day. I grew up in Cuba and London, so New York feels as close as I can get to the rest of the world. I feel from my upbringing that I’m a citizen of the world, not just the United States. I would only rent houses there for the four months I was shooting, then take the first plane home. Kathleen Turner: I never quite understood L.A.
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I presumed you must have lived in Los Angeles at some point, but you wrote that L.A. Vogue : I was surprised to learn in your memoir that you’re a lifelong New Yorker. Ahead of her performance at Manhattan’s Town Hall, the acting titan spent an afternoon with Vogue to discuss her legendary career. She’s a masterful storyteller and an even better shit-talker, delivering her most brutal burns with a gleeful smile. Lunch with Turner feels like attending a particularly intimate preview of Finding My Voice. As a performer, she’s always been willing to get weird, whether that meant playing a kinky sex worker in Crimes of Passion or a murderous housewife in Serial Mom. All too aware that femme fatales had a short shelf life, she picked her next project carefully, quickly clarifying that she had much more to offer than a pretty face with a gravelly voice.
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Turner’s sizzling performance in Body Heat turned the former struggling waitress into one of the most beloved stars of the 1980s and ’90s. Everyone kept saying ‘Sure, she’s sexy, but can she be funny?’ I mean, fuck me-it’s called acting!” “I’m lucky I escaped Body Heat being typecast as just a sex symbol. “I was never meant to be an ingenue,” the 67-year-old says with a laugh. The effect of Turner’s voice in person, seated in a corner booth at The Odeon in Tribeca, is nothing short of intoxicating: It has a lower, huskier quality now than it did in those old films. Pick any random review of Body Heat or Romancing the Stone, and you’ll likely see it described as smoky, sexy, sensuous, tobacco-cured, or scotch-laden. Kathleen Turner’s voice has always commanded attention.